The Basis Of Everything I Do Is

Just As One Can Compose Colors, Or Forms, So One Can Compose Motions.

The Sense Of Motion In Painting And Sculpture Has Long Been Considered As One Of The Primary Elements Of The Composition.

You See Nature And Then You Try To Emulate It.

When An Artist Explains What He Is Doing, He Usually Has To Do One Of Two Things: Either Scrap What He Has Explained, Or Make His Work Fit In With The Explanation.

The Trouble With A Lot Of Artists Today Is That They Have Too Much Technique And Equipment. They Don't Know What To Do With It All. If You Cut Down On It, You Can Work More Strongly Within Narrower Limits.