The Bed Is Now As Public As

The End Of Exile Is The End Of Being.

Drosselmeier Had Unwittingly Exposed Himself To An Overdose Of Reality, And It Had Destroyed His Reason.

Soon, Nostalgia Will Be Another Name For Europe.

He Is The Intermediary Between Us, His Audience, The Living, And They, The Dolls, The Undead, Who Cannot Live At All And Yet Who Mimic The Living In Every Detail Since, Though They Cannot Speak Or Weep, Still They Project Those Signals Of Signification We Instantly Recognize As Language.

Spindly Branches Of Buttercups Were Secreted Among Gleaming Stems Still Moist At The Roots From Last Night's Rain That Had Washedand Refreshed The Entire Wood, Had Dowered It In Poignant Transparency, The Unique, Inconsolable Quality Of Rainy Countries, As If All Was Glimpsed Through Tears.