The Character Of The Artist Doesn't Enter

Were It Not For This [dissatisfaction], The Perfect Painting Might Be Painted, On The Completion Of Which The Painter Could Retire. It Is This Great Insufficiency That Drives Him On. The Process Of Creation Becomes Necessary To The Painter Perhaps More Than It Is In The Picture. The Process Is In Fact Habit-forming.

Painting Is Sometimes Like Those Recipes Where You Do All Manner Of Elaborate Things To A Duck, And Then End Up Putting It On One Side And Only Using The Skin.

A Moment Of Complete Happiness Never Occurs In The Creation Of A Work Of Art. The Promise Of It Is Felt In The Act Of Creation But Disappears Towards The Completion Of The Work. For It Is Then The Painter Realises That It Is Only A Picture He Is Painting. Until Then He Had Almost Dared To Hope The Picture Might Spring To Life.

The Painting Is Always Done Very Much With [the Model's] Co-operation. The Problem With Painting A Nude, Of Course, Is That It Deepens The Transaction. You Can Scrap A Painting Of Someone's Face And It Imperils The Sitter's Self-esteem Less Than Scrapping A Painting Of The Whole Naked Body.

The Painter Must Give A Completely Free Rein To Any Feeling Or Sensations He May Have And Reject Nothing To Which He Is Naturally Drawn.