The Film Depends On The Audience's Belief

I Admire The World Of The Books And The Characters That She's Created, But I'm Not An Addict Of Harry Potter. I Don't Feel Possessive About It.

He's Really Sort Of The Devil. He's Completely Emotionally Detached. He Has No Empathy. You Find That In Psychopaths. It's About Power With Voldemort. It's An Aphrodisiac For Him. Power Makes Him Feel Alive.

Performance Is Made In The Editing Room, And I've Come To See The Truth In That - The Idea That They Say Performances Are Usually Made In The Editing Room Because What You Film Is The Raw Material. I Think Just Going Through The Process Of Saying, "which Take Do We Use? Why Is That The Take We Want? I Want That Take Can You Edit Again, I'm Not Sure That's The One, I Think It's This One." And Just Because You Go Through That Process, I Think Somehow It's Made Me Sort Of More Open About The [actor's] Possibilities.

We're In A World Of Truncated Sentences, Soundbites And Twitter... [language] Is Being Eroded -- It's Changing. Our Expressiveness And Our Ease With Some Words Is Being Diluted So That The Sentence With More Than One Clause Is A Problem For Us, And The Word Of More Than Two Syllables Is A Problem For Us.

I Was Grateful To Have Two Weeks To Shoot This One Scene In Harry Potter. It's A Big, Big Scene, But They Have To Deliver. And They Have High Expectations.