The Limitations Are Limitless.

Back Then, Pro Tools Only Had Four Or Eight Tracks, So We Couldn't Actually Hear All The Tracks. We Could Only Hear Eight At A Time, So If A Song Had 25 Or 30 Tracks, We Wouldn't Be Able To Hear It Until We Went Into The Studio An Put It All On Tape. The Process Was A Little Bit Backwards.

Let The Desert Wind Cool Your Aching Head. Let The Weight Of The World - Drift Away Instead

The Years Keep Going By And You Realize, Wow. Doing These Records Is Such A Process: Going On Tour For A Year And A Half, Then You Get Home And You Want To Do Other Things.

For The Records I've Work On Over The Last 10 Years, I Get Sent The Really Compressed Version And The Non-compressed Version, And Oftentimes You End Up Going With The More Compressed One Because It's What People's Ears Are Attuned To. I Think The Bigger Problem Is Saturation And People Being Desensitized.

There Are People Who've Prepared Their Whole Lives For Real Heavy Success And Bask In It. They're So Good At It And They Obviously Love It. I'm Just Happy To Be Making A Record.