The Main Problem Is That The Hollywood

He's [constable] A Great Painter As Far As It Goes, But I Don't Think He's Remotely Interesting. Not Really. It's Very Pretty And It's Very Thorough, But It's Not Evocative, It's Not Dramatic, It Doesn't Do What Beethoven Does - It Doesn't Shake You Down To The Roots Of Your Soul, Which Turner Does. Constable Is Just Very Nice, Basically. And Moving On To Personality, Constable Was A Very Dull Character.

I Mean, Artistic Processes Are All About Making Choices All The Time, And The Very Act Of Making A Choice Is The Distilling Down And The Getting To The Core Of What It Is That You Care About And What You Want To Say, Really.

When I Was Young I Used To Sit In The Cinema Thinking Wouldn't It Be Great If You Could Have A Film In Which The Characters Were Like Real People Instead Of Being Like Actors.

The Delineation Between The Actor And His Part Is A Practical Matter. When The Camera Runs, You Want The Actor To Be The Character.

I Think It’s Important That Nobody Forgets That Although Hollywood Commercially Dominates The World Cinema, In Fact What Comes Out Of The Filmmaking Here Is Only A Tiny Slice Out Of The Massive Amount Of Operation That Goes On Around The World.