The Most Emotional Part Is When I

I Sort Of Use As My Guiding Principle That Show The Fall And Rise Of Reginald Perrin. Whenever Possible, Do The Stupid Thing.

Musicians, Actors, Writers - We're All Neurotic, Odd People Who've Lucked Into Accidental Careers. So I Just Don't Like Being Around Public Figures With That Sense Of Entitlement, It Just Seems Unhealthy, And It Strips So Much Potential For Them To Develop As A Human Being.

I Don't Think Too Much About How It Might Exist In The World In A Commercial Sense - I More Just Try And Focus On Making Music That I Love And Trying To Put It Out Into The World.

When Someone Comes To Me And Says The Music I've Made Has Affected Them Emotionally, That's The Most Gratifying Part Of My Job.

I Won't Complain About Touring, Because I Really Do Believe That A Public-figure Musician Complaining About Being A Public-figure Musician Is Just Absurd. Like, 'boo Hoo Hoo! I Have To Stand On Stage And People Pay Attention To Me!'