The Movies I Make Tend Not To

Paris Is A Place Where, For Me, Just Walking Down A Street That I've Never Been Down Before Is Like Going To A Movie.

Any Romantic Feelings For A 12-year-old Are Like Entering Into A Fantasy World.

The One Thing I've Observed Over The Years Is The Best Way To Get An Actor To Not Want To Play A Certain Role Is To Offer It To Them. That Makes Them Say, "well, Maybe It's Not That Good. These Guys Don't Want Me To Do This..."

When You're Doing A Live-action Movie, You Have Your Day Set Up And You're Going To Do This Shot And This Shot, And Eventually The Sun Is Going To Go Down. It's A Sequential Race To Whatever Is Going To End The Day.

Animating Is A Very Slow, Pain-staking Process And The Animators Become The Actors At That Point.