The Plays Raise Issues That Are Ignored

Constance L. Rice, Co-director Of The Los Angeles Of The Advancement Project, Told The Times That Seltzer Might Have Been Influenced By David Simon's Fake Ghetto Series, "the Wire." It Figures. Isn't This Sexism? Isn't This A Double Standard? They're Hard On This Young Woman For Her Fake Ghetto Book, Yet Praise These White Guys For Theirs. So There's A Big Market In Downing Black Men.

What I Can't Understand Why Blacks Can't Achieve Royal Status When It Comes To Forms That They Have Largely Created? I Mean There's A White King Of Rock N' Roll, There's A White King Of Jazz, How Come We Can Never Achieve Titles Of Royalty In These Fields We Are Supposed To Prevail In? They Held A So Called Rock And Roll Hall Of Fame The Other Night, Where White Judges Credit People Who Resemble Them With The Invention Of Rock And Roll. I Didn't Even See Blacks In The Audience.

I Use Non-fiction Work Written By Whites In My Research. It's Indispensable. That Wasn't The Problem. I Said That "the Wire" Was A Cliché! It's Like My Writing A Series About Jewish Life And Casting All Of The Characters As Inside Traders.

A Lot Of Great Art Comes From The Afro-american Male Experience. Black Men Are Geniuses, And Many Times Their Desperation, Their Position As Being Pariahs, Leads Them To Great Originality.

The Treatment Of African And African American Culture In Our Education Was No Different From Their Treatment In Tarzan Movies.