The Problem With Property Is That It

The Texture Of Experience Is Prior To Everything Else.

I'm Not Interested In 'abstracting' Or Taking Things Out Or Reducing Painting To Design, Form, Line, And Color. I Paint This Way Because I Can Keep Putting More Things In It - Drama, Anger, Pain, Love, A Figure, A Horse, My Ideas About Space. Through Your Eyes It Again Becomes An Emotion Or Idea.

Whatever An Artist's Personal Feelings Are, As Soon As An Artist Fills A Certain Area On The Canvas Or Circumscribes It, He Becomes Historical. He Acts From Or Upon Other Artists.

When, About Fifteen Years Ago, I Walked Into Arshile's Studio For The First Time, The Atmosphere Was So Beautiful That I Got A Little Dizzy And When I Came To, I Was Bright Enough To Take The Hint Immediately. If The Bookkeepers Think It Necessary To Make Sure Of Where Things And People Came From, Well Then, I Came From 36 Union Square. I Am Glad That It Is About Impossible To Get Away From His Powerful Influence.

Whatever An Artist's Personal Feelings Are, As Soon As An Artist Fills A Certain Area On The Canvas Or Circumscribes It, He Becomes Historical. He Acts From Or Upon Other Artists. An Artist Is Someone Who Makes Art Too. He Did Not Invent It. How It Started — "to Hell With It." It Is Obvious That It Has No Progress. The Idea Of Space Is Given Him To Change If He Can. The Subject Matter In The Abstract Is Space. He Fills It With An Attitude. The Attitude Never Comes From Himself Alone.