The Public Buys "art" - But The

A Scene Has To Have A Rhythm Of Its Own, A Structure Of Its Own.

My Films Have Always Had An Element Of Immediate Autobiography, In That I Shoot Any Particular Scene According To The Mood I'm In That Day, According To The Little Daily Experiences I've Had And Am Having - But I Don't Tell What Has Happened To Me. I Would Like To Do Something More Strictly Autobiographical, But Perhaps I Never Will, Because It Isn't Interesting Enough.

When You Work On A Character, You Form In Your Mind An Image Of What He Ought To Look Like. Then You Go And Find One Who Resembles Him.

The Women I Like, No Matter What Nationality, All Seem To Have More Or Less The Same Qualities. Perhaps This Is Because One Goes Looking For Them - That Is, You Like That Type Of Woman And Then Look For Her.

It's Untrue To Say The Colors I Use Are Not Those Of Reality. They Are Real: The Red I Use Is Red; The Green, Green; Blue, Blue; And Yellow, Yellow. It's A Matter Of Arranging Them Differently From The Way I Find Them, But They Are Always Real Colors. So It's Not True That When I Tint A Road Or A Wall, They Become Unreal. They Stay Real, Though Colored Differently For My Scene.