The Public Is Always Good.

I Carry A Deep Sadness Of The Heart Which Must Now And Then Break Out In Sound.

I Conclude That The Wagnerian Operas Which Are Already In The Repertoire, And Other Masterworks As Well, Stand In No Further Need Of My Services.

For The Virtuoso, Musical Works Are In Fact Nothing But Tragic And Moving Materializations Of His Emotions; He Is Called Upon To Make Them Speak, Weep, Sing And Sigh, To Recreate Them In Accordance With His Own Consciousness. In This Way He, Like The Composer, Is A Creator, For He Must Have Within Himself Those Passions That He Wishes To Bring So Intensely To Life.

Companions, In Misery And Worse, That Is What We All Are, And To Try To Change This Substantially Avails Us Nothing.

A Theatre Receives Recognition Through Its Initiative, Which Is Indispensable For First-rate Performances.