The Question Of Dying Becomes A Wise

The Force Of A Death Should Be Enormous But How Can You Know What Kind Of Man You've Killed Or Who Was The Braver And Stronger If You Have To Peer Through Layers Of Glass That Deliver The Image But Obscure The Meaning Of The Act? War Has A Conscience Or It's Ordinary Murder.

I've Got Death Inside Me. It's Just A Question Of Whether Or Not I Can Outlive It.

For Me, Wellbehaved Books With Neat Plots And Worked-out Endings Seem Somewhat Quaint In The Face Of The Largely Incoherent Reality Of Modern Life; And Then Again Fiction, At Least As I Write It And Think Of It, Is A Kind Of Religious Meditation In Which Language Is The Final Enlightenment, And It Is Language, In Its Beauty, Its Ambiguity And Its Shifting Textures, That Drives My Work.

America Can Be Saved Only By What It's Trying To Destroy.

Sitting For A Picture Is Morbid Business. A Portrait Doesn't Begin To Mean Anything Until The Subject Is Dead. This Is The Whole Point. We're Doing This To Create A Kind Of Sentimental Past For People In Decades To Come. It's Their Past, Their History We're Inventing Here. And It's Not How I Look Now That Matters. It's How I'll Look In Twenty-five Years As Clothing And Faces Change, As Photographs Change. The Deeper I Pass Into Death, The More Powerful My Picture Becomes. Isn't This Why Picture-taking Is So Ceremonial? It's Like A Wake. And I'm The Actor Made Up For The Laying-out.