The Slime Of All My Yesterdays Rots

I Hate Technicolor. Everybody In A Technicolor Movie Seems To Feel Obliged To Wear A Lurid Costume In Each New Scene And To Stand Around Like A Clotheshorse With A Lot Of Very Green Trees Or Very Yellow Wheat Or Very Blue Ocean Rolling Away For Miles And Miles In Every Direction.

I Opened The Door And Blinked Out Into The Bright Hall. I Had The Impression It Wasn't Night And It Wasn't Day, But Some Lurid Third Interval That Had Suddenly Slipped Between Them And Would Never End.

I Am Too Pure For You Or Anyone.

This Is Newness: Every Little Tawdry Obstacle Glass-wrapped And Peculiar, Glinting And Clinking In A Saint's Falsetto. Only You Don't Know What To Make Of The Sudden Slippiness, The Blind, White, Awful, Inaccessible Slant. There's No Getting Up It By The Words You Know. No Getting Up By Elephant Or Wheel Or Shoe. We Have Only Come To Look. You Are Too New To Want The World In A Glass Hat.

I Think The Whole Emphasis In England, In Universities, On Practical Criticism (but Not That So Much As On Historical Criticism, Knowing What Period A Line Comes From) This Is Almost Paralysing. In America, In University, We Read - What? - T. S. Eliot, Dylan Thomas, Yeats, That Is Where We Began. Shakespeare Flaunted In The Background. I'm Not Sure I Agree With This, But I Think That' For The Young Poet, The Writing Poet, It Is Not Quite So Frightening To Go To University In America As It Is In England, For These Reasons.