The Sun Is The Most Important Thing

Actors Want To Impress At The Beginning, So You Take Advantage Of That By Suddenly Saying, 'right, You're Here For Two Weeks.' What You're Doing Is Creating A Siege Mentality.

I Haven't Got Anything Against Films That Are About The Minutia Of Relationships Or Customs, But I Love Extremes. I Love Taking A Bunch Of Characters And It Usually Is A Bunch Of Characters, And You Throw Something At Them That's Usually Extreme, Like A Bag Of Money, Or You Send Them Out To Explode A Nuclear Device On The Surface Of The Sun. And Those Extremes Are Wonderful For Drama.

The Individual Will To Survive Is Often Seen As Just That, An Individual Thing. In Fact, It's Sort Of A Gene We All Carry And Like A Network Of Computers It All Contributes In Some Way To When It's Individually Needed.

I Mean Suspense, Twists Are Almost Impossible These Days.

Even Though One Of Them Is About An Edinburgh Junkie And Ones A Little Boy Of Eight In Manchester, You Want Them To Always Portray Their World In Such A Vivid Way That The Audience Can Disappear Inside The Story.