The World We Live In Is A

Perhaps The Community You Mentioned Might Not Come To The Story. Sometimes You Have To Take The Story To Them, And Perform It, And That's Another Way That I Get An Alternate Point Of View That Isn't The Official Version Of History Out To A Community. I Feel That's What I've Been Doing Since Caramelo.

What You're Going To Be Asked To Do Is Bigger Than What You Think You Can Do. It's Always Bigger Than What You Think You Can Handle, But You're Never Going To Be Given Something You Can't Handle.

True Love In Mexico Isn't Between Lovers; It's Between A Parent And A Child. Mexico Is A Very Intense Culture Of Sons Adoring Their Mothers, And This Is Why I Claim That Mexican Culture Is Matriarchal. Because The One Constant, Faithful, Inviolable, Holy Love Of Loves - The Love Of Your Life - Is Not Your Wife Or Your Lover; It's Your Mother.

We Changed It To Emocionó, The Way You Say In Spanish, "to Emotion Me" [to Be Moved]. That, As Opposed To "haunt." We Wanted The Feeling Of Sadness And Grief And Obsession, So We Used Emocionó.

When I Have A Writing Workshop, I Like To Have People That Are Anthropologists And People Who Are Poking Around In Other Fields, I Like To Have Them All In The Same Workshop, And Not Worry About Genre. I Like To Mix It Up, Because The Kind Of Comments You Can Get From A Fiction Writer About Your Poetry Are Going To Be Very Different Than What You'll Get From A Poet. Or The Comments You'll Get From A Filmmaker About Your Performance Are Going To Be Very Different. My Writing Workshop Is About Mixing It Up, Cross-pollinating, Not Only In Genres But In Occupations.