There Always Comes A Time When One

Holland Is A Dream, Monsieur, A Dream Of Gold And Smoke-smokier By Day, More Gilded By Night. And Night And Day That Dream Is Peopled With Lohengrins Like These, Dreamily Riding Their Black Bicycles With High Handle-bars, Funereal Swans Constantly Drifting Throughout The Whole Country, Around The Seas, Along The Canals.

No Doubt Our Love Was Still There, But Quite Simply It Was Unusable, Heavy To Carry, Inert Inside Of Us, Sterile As Crime Or Condemnation. It Was No Longer Anything Except A Patience With No Future And A Stubborn Wait.

I Cling Like A Miser To The Freedom That Disappears As Soon As There Is An Excess Of Things.

The World In Which We Were Called To Exist Was An Absurd World, And There Was No Other In Which We Could Take Refuge.

Every Artist Preserves Deep Within Him A Single Source From Which, Throughout His Lifetime, He Draws What He Is, And What He Says. When The Source Dries Up, The Work Withers And Crumbles.