There Are Always Going To Be More

I've Seen An Awful Lot Of Plays That I'd Read Before They Were Put Into Production And Been Shocked By What's Happened To Them. In The Attempt To Make Them Straightforward And Commercially Successful, A Lot Of Things Go Out The Window.

Art Should Never Try To Be Popular.

The Avant-garde Theater Is Fun; It Is Free-wheeling, Bold, Iconoclastic, And Often Wildly, Wildly Funny. If You Will Approach It With Childlike Innocence -- Putting Your Standard Responses Aside, For They Do Not Apply -- If You Will Approach It On Its Own Terms, I Think You Will Be In For A Liberating Surprise. I Think You May No Longer Be Content With Plays That You Can't Remember Halfway Down The Block.

I Think I Sit Down To The Typewriter When It's Time To Sit Down To The Typewriter. That Isn't To Suggest That When I Do Finally Sit Down At The Typewriter, And Write Out My Plays With A Speed That Seems To Horrify All My Detractors And Half Of My Well-wishers, That There's No Work Involved. It Is Hard Work, And One Is Doing All The Work Oneself.

When I'm Writing A Play I Hear It Like Music. I Use The Same Indications That A Composer Does For Duration. There's A Difference, I Tell My Students, Between A Semi-colon And A Period. A Difference In Duration. And We Have All These Wonderful Things, We Use Commas And Underlining And All The Wonderful Punctuation Things We Can Use In The Same Way A Composer Uses Them In Music. And We Can Indicate, As Specifically As A Composer, The Way We Want Our Piece To Sound.