There Is No Dogma, There Isn't Anything

Music Is More Objective, I Think, Than A Lot Of Art Is, But A Surprising Amount Of It Is Cultural.

We're Not Uncomfortable With It, And We've Already Been Through Enough Of The Music Business Where I'm Not Really Worried That Commercial Success Is Going To In Some Way - We're Already Past Saving, You Know What I Mean? It's Too Late For Us.

I Don't Know Why, It's The Same Reason Why You Like Some Music And You Don't Like Others. There's Something About It That You Like. Ultimately I Don't Find It's In My Best Interests To Try And Analyze It, Since It's Fundamentally Emotional.

You Have To Be Ready, And Also You Have To Discard Notions That Are Fondly Held By A Lot Of Musicians, About Sequences And Notes And About Scales And Musical Systems As A Whole. If You Think Of Music As A Language, The Space Part Is Where You Throw Out All The Syntax.

I Don't Think That Slaughterhouse-five Was Successful Movie Material. In Fact, Vonnegut's Books Mostly I Don't Feel Are Movie Material.