There Is No Shortcut To Grieving.

I Think Where You Get Into Trouble - For Instance The Mixing Of Sex And Violence - Is When You're Telling An Audience That This Horrible Thing Is Enjoyable. The Suffering Just Gets Out Of Hand Too Much. It Becomes Pornographic.

You Just Can Never Count On A Formula, On A Movie That You Think Is Going To Be A Big Hit, And That's Why You Do It. You Have To Choose Each One For What You Think You'll Learn And The Fun You'll Have. And Maybe The Cool People That You Work With Or A Character That You're Going To Be Able To Explore ... You Just Keep Your Fingers Crossed.

I Hesitate To Direct Even Though I Feel I Contribute A Lot On A Set.

You Have To Take Away The Idea That Something You Do Is Right Or Wrong. I Don't Think There's A Right Or A Wrong; I Think There's An "it Works" Or "it Doesn't Work" For The Whole. And That's Why You Need A Director You Trust, So You Can Just Keep Throwing Out Suggestions.

It Is A Different World Than When I Was Growing Up, And You Started To Just Kind Of Maintain At Thirty-five And Just Hope You Can Hope It Together. People Are A Lot More Vital Than I Am And Doing All Kinds Of Things And Leading Really Important Movements.