There Is Only One Way Left To

The Haiku Reproduces The Designating Gesture Of The Child Pointing At Whatever It Is (the Haiku Shows No Partiality For The Subject), Merely Saying: That!

Each Photograph Is Read As The Private Appearance Of Its Referent: The Age Of Photography Corresponds Precisely To The Explosion Of The Private Into The Public, Or Rather Into The Creation Of A New Social Value, Which Is The Publicity Of The Private: The Private Is Consumes As Such, Publicly.

The Incapacity To Name Is A Good Symptom Of Disturbance.

Ensnared In His Starvation, Chaplin-man Is Always Just Below Political Awareness. A Strike Is A Catastrophe For Him Because It Threatens A Man Truly Blinded By His Hunger; This Man Achieves An Awareness Of The Working-class Condition Only When The Poor Man And The Proletarian Coincide Under The Gaze (and The Blows) Of The Police.

The Ventoux Is A God Of Evil, To Which Sacrifices Must Be Made. It Never Forgives Weakness And Extracts An Unfair Tribute Of Suffering.