There's A Lot Of Days Where You

About Six Months Ago, I Listened To Siamese Dream. That Was The First Time I'd Ever Really Heard My Own Album, Because I Had Separated From The Experience Of Making The Record. And It Really Moved Me. It Made Me Cry, It's So Beautiful.

You Could Have A Zillion Facebook Followers. Those People Don't Buy Records. It's About A Hundred To One...record Companies, They Don't Have Any Money So They See Social Media As The Free Marketing...so,...'billy, Light Yourself On Fire And Stand Upside Down, And That'll Market The Record'. I've Spent A Lot Of Time Thinking About This. I Don't Think People By Records Because Of Anything That Happens On Facebook. They Buy Records Cause They're Friends Say 'i Bought This Record And I Love It'.

I Feel Like I'm Always Fighting Not To Repeat Myself.

I Think I Kind Of Approached Music With This Sort Of, Like, Weird Thing Where I Kinda Set Myself Up Where I Could Kinda Be Myself But Not Really. I Kinda Had A Backdoor Out. So If You Criticized Me, I Kinda Had My Defenses Working. And The Problem Is That Some People Seize On That As Inauthenticity, Which Is Understandable. So That's Painful Because It's Not That You're Being Inauthentic...there's A Difference Between Being A Poseur And Being Someone Who's So Emotionally Challenged They're Kind Of Just Doing Their Best To Show You What They've Got.

I Think When I Listen To Old Records, It Puts Me Back In The Atmosphere Of What It Felt Like To Make The Record And Who Was There And What The Room Looked Like. It's More A Sensory Memory.