Time Is Born In The Eyes, Everybody

The Mysterious Does Not Spell Itself Out In Capital Letters, As Many Writers Believe, But Is Always Between, An Interstice.

You're Like A Witness. You're The One Who Goes To The Museum And Looks At The Paintings. I Mean The Paintings Are There And You're In The Museum Too, Near And Far Away At The Same Time. I'm A Painting. Rocamadour Is A Painting. Etienne Is A Painting, This Room Is A Painting. You Think That You're In The Room But You're Not. You're Looking At The Room, You're Not In The Room.

The Best Literature Is Always A Take [in The Musical Sense]; There Is An Implicit Risk In Its Execution, A Margin Of Danger That Is The Pleasure Of The Flight, Of The Love, Carrying With It A Tangible Loss But Also A Total Engagement That, On Another Level, Lends The Theater Its Unparalleled Imperfection Faced With The Perfection Of Film. I Don’t Want To Write Anything But Takes.

I Raised The Camera, Pretended To Study A Focus Which Did Not Include Them, And Waited And Watched Closely, Sure That I Would Finally Catch The Revealing Expression, One That Would Sum It All Up, Life That Is Rhythmed By Movement But Which A Stiff Image Destroys, Taking Time In Cross Section, If We Do Not Choose The Essential Imperceptible Fraction Of It.

[heaven Is] That Moment In Which Something Attains Its Maximum Depth, Its Maximum Reach, Its Maximum Sense, And Becomes Completely Uninteresting.