Time, The Human Dimension, Which Makes Us

Language Leads A Double Life - And So Does The Novelist. You Chat With Family And Friends, You Attend To Your Correspondence, You Consult Menus And Shopping Lists, You Observe Road Signs, And So On. Then You Enter Your Study, Where Language Exists In Quite Another Form - As The Stuff Of Patterned Artifice.

I Love The Working Class, And Everyone From It That I've Met, And Think They're Incredible Witty, Inventive - There's A Lot Of Poetry There. A Lot Of Rough Stuff As Well. What There Is, Too, Is An Awful Lot Of Expressiveness And Intelligence And Originality Down There. And A Lot Of Thwarted Intelligence.

So I Am Lonely, But Not Alone, Like Everybody Else.

Novelists Are Stamina Merchants, Grinders, Nine-to-fivers, And Their Career Curves Follow The Usual Arc Of Human Endeavour.

Saul Bellow Says, Funny Enough, What French Think Of Your Work Is Tremendously Important. And It Is. It's More Than What The Italians, The Spanish, And The Germans Think. Somehow It's Still Got That Cultural Primacy. I Feel That Too: To Get Praised In France Is Better Than To Get Praised Anywhere Else.