To Be Bothered Wherever You Go -

'la Dolce Vita' Made We Want To Go To Rome And, If Not Jump Into The Trevi Fountain, At Least Watch Someone Else Do It. Maybe That's Why I Married An Italian...!

I Do Notice That When I've Been Away And I Come Back To London. People Look At You. People Are Ready To Pick Arguments.

In Filming You're Waiting. You're Waiting For Lights. You're Waiting For People Set Things Up. And When You're Not Waiting, You're Repeating. And Neither Is Conducive To Spontaneity, You Know. Comedy Makes You Very, Very Neurotic Because You Think, I - But Did I Nail It?

I Have A Great Deal Of Respect For The Craft, I Don't Know How Much Respect It Has For Me. But It's A Precision Process. Doing It On Stage Would Be, I Think, Terrifying. Doing It On Film Has Its Own Difficulties, Because Film Is Not Conducive To Spontaneity. You Might Have A Run Through And Get A Few Chuckles At Eight O'clock In The Morning, But You Don't Keep Laughing At The Same Thing All Day Long.

I Don't Know If This Qualifies As Gentle Reassurance, But Right Now This Is All That Stands Between Me And A Harley-davidson.