To Shoot A Film Is To Organize

I Liked Truffaut A Lot, I've Felt A Lot Of Admiration For His Way To Address The Audience, And His Storytelling.... La Nuit Américaine Is Adorable, And Another Film I Like To See Is L'enfant Sauvage, With Its Fine Humanism.

No Other Art-medium–neither Painting Nor Poetry–can Communicate The Specific Quality Of The Dream As Well As The Film Can. When The Lights Go Down In The Cinema And This White Shining Point Opens Up For Us, Our Gaze Stops Flitting Hither And Thither, Settles And Becomes Quite Steady. We Just Sit There, Letting The Images Flow Out Over Us. Our Will Ceases To Function. We Lose Our Ability To Sort Things Out And Fix Them In Their Proper Places. We're Drawn Into A Course Of Events–we're Participants In A Dream. And Manufacturing Dreams, That's A Juicy Business.

Art Lost Its Basic Creative Drive The Moment It Was Separated From Worship. It Severed An Umbilical Cord And Now Lives Its Own Sterile Life, Generating And Degenerating Itself. In Former Days The Artist Remained Unknown And His Work Was To The Glory Of God.

Occasionally I Sense An Insane Wail Deep Down In The Pit, The Echo Alone Reaching Me, Striking Without Warning, A Child Weeping Uninhibitedly, Imprisoned Forever.

People Ask What Are My Intentions With My Films - My Aims. It Is A Difficult And Dangerous Question, And I Usually Give An Evasive Answer.