Too Much Of A Good Thing Is

I Have All The Patience In The World About Sirens. For Me It's Not A Grateful Dead Project, It's A Me Project.

In Folk Music, I've Always Been Fond Of The Fragment. The Song That Has One Verse. And You Don't Know Anything About The Characters, You Don't Know What They're Doing, But They're Doing Something Important. I Love That. I'm Really A Sucker For That Kind Of Song.

You Have To Be Ready, And Also You Have To Discard Notions That Are Fondly Held By A Lot Of Musicians, About Sequences And Notes And About Scales And Musical Systems As A Whole. If You Think Of Music As A Language, The Space Part Is Where You Throw Out All The Syntax.

In Reality Everybody Has Got Musical Thoughts. If You Are Able To Overcome The Part Of It Which Is Muscle Training, Which Is What Most Musical Playing Actually Is, Performance Actually Is, Is Muscle Training, And You Are Able To Convert Your Ideas Directly Into Music, You're A Musician, Too.

Western Ears Have A Hard Time Hearing Anything That Isn't In Four-four Time. A Lot Of Cultures Experience Music In Five-eight, For Example, Five-four.