Trace Adkins Is Such A Great Guy.

We [ With Emilio Estevez] Asked If We Could Take Some Things [ In Breakfast Club] That Weren't In The Shooting Draft, But From Earlier Drafts, "can We Maybe Use This?" And Hughes Was Very Amenable To All That. And There Was Some Stuff That I Liked, And I Said, "how About This?" And He Went, "well, We'll Check With Molly [ringwald]. Those Scenes Are With Her. And If She Likes It, Fine." So It Was Just Wonderful. It Was Great.

I Think That There's Room For Everyone. I Don't Think That If One Person Succeeds Then Another Must Fail. That's Lunacy. I'm Not Sure What The Reasons Are For My Philosophy, Maybe It's The Fact That If There Are Ten People Doing The Same Job, We All Know How We Feel And What Our High Points And Low Points Are.

[st. Elmo's Fire] It Was Pretty Soon After That. I Know We Didn't Do Breakfast Club Knowing We Were Going To Do That.

All Of The Directors I've Worked With I Have Loved And Would Work With Again. I Have No Favorites.

As They Were Building That Library In That School's Gym [in The Breakfast Club], They Built A Rehearsal Space For Us. It Was Really An Empty Room Taped Out With The Same Dimensions Of The Library. And They Had The Tables All There. And He Had Us Sitting At The Same Table. All Of Us.