Ultimately, Photography Is Subversive, Not When It

A Photograph Is Always Invisible, It Is Not It That We See.

All Official Institutions Of Language Are Repeating Machines: School, Sports, Advertising, Popular Songs, News, All Continually Repeat The Same Structure, The Same Meaning, Often The Same Words: The Stereotype Is A Political Fact, The Major Figure Of Ideology.

Rarely Do Outside Of School Remedies Work Their Way Into The Fabric Of The Schools Or Into The Teachers Lives, And More Rarely Into The Classrooms. Therefore They Only Offer A Modest Hope Of Influencing The Basic Culture Of The School

Ensnared In His Starvation, Chaplin-man Is Always Just Below Political Awareness. A Strike Is A Catastrophe For Him Because It Threatens A Man Truly Blinded By His Hunger; This Man Achieves An Awareness Of The Working-class Condition Only When The Poor Man And The Proletarian Coincide Under The Gaze (and The Blows) Of The Police.

The Haiku Reproduces The Designating Gesture Of The Child Pointing At Whatever It Is (the Haiku Shows No Partiality For The Subject), Merely Saying: That!