We Don't Know Where We Get Our

Comedy Always Works Best When It Is Mean-spirited.

Although I Had Good Hand-eye Coordination, I Was So Tall And Skinny And Muscularly Weak That I Just Was Not Well Coordinated. But What I Started To Do Quite Early On Was Watch Some Of The Great Old Silent Comedians, Like Laurel And Hardy And Chaplin, And Then Later On Harold Lloyd And Buster Keaton.

Because, As We All Know, It’s Easier To Do Trivial Things That Are Urgent Than It Is To Do Important Things That Are Not Urgent, Like Thinking. And It’s Also Easier To Do Little Things We Know We Can Do Than To Start On Big Things That We’re Not So Sure About.

England Is A Fairly Envious Little Country And It's Embodied In The Press. They Don't Like Anyone Being More Distinguished Than They Are.

Everything In Comedy's Got To Be Exactly Right, Which Is Why Making A Comedic Film Is Kind Of A Difficult Process, Because, For Most Of The Two Years Of Shooting It And Editing It And Reshooting And All Of That, It's Not Quite Right. And It's Only When You Just At The End, You Put The Final Polish On It, It Becomes Really Funny Again.