We're Not Going To Play The Blues

You Should Never Be Comfortable, Man. Being Comfortable Fouled Up A Lot Of Musicians.

If You Make A Suggestion And [musicians] Don't Know What You Mean, You Have To Be Able To Do It Yourself. I Often Sit Down On Drums And Show 'em Just Exactly What I Want. And I Do It And Then Say, "how Do You Do That?" It's Because I Know How It Looks, I Know What I Want To Hear, And I Don't Drop Or Rush Any Tempo. It Ain't In My Body, It Ain't In My Nephew's Body.

Bebop Didn't Have The Humanity Of Duke Ellington. It Didn't Even Have That Recognizable Thing. Bird And Diz Were Great, Fantastic, Challenging — But They Weren't Sweet.

I've Come Close To Matching The Feeling Of That Night In 1944 In Music, When I First Heard Diz And Bird, But I've Never Got There. . . . I'm Always Looking For It, Listening And Feeling For It, Though, Trying To Always Feel It In And Through The Music I Play Everyday.

I Did Bronislaw Kaper's Tune. He Wrote "on Green Dolphin Street." I Mean, I Did All Those Ballads, All Them Ballads From South America. All Those Tunes - The Guitar Concerto On Sketches Of Spain. All Those Are Spanish Melodies. Some Of Them We Made Up Ourselves.