What A Writer Wants To Do Is

The Central Problem Of Novel-writing Is Causality.

The Web Of Time - The Strands Of Which Approach One Another, Bifurcate, Intersect, Or Ignore Each Other Through The Centuries - Embraces "every" Possibility. We Do Not Exist In Most Of Them. In Some You Exist And Not I, While In Others I Do, And You Do Not, And In Yet Others Both Of Us Exist.

I Know That When I Think Of Myself As Being Utterly Worn Out, When I Think That Somehow I Have Nothing More To Write, Then Something Is Happening Within Me. And, In Due Course, It Bubbles Up; It Comes To The Surface, And Then I Do My Best To Listen. But There's Nothing Mystical About All This. I Suppose All Writers Do The Same.

The Gods Weave Misfortunes For Men, So That The Generations To Come Will Have Something To Sing About.” Mallarmé Repeats, Less Beautifully, What Homer Said; “tout Aboutit En Un Livre,” Everything Ends Up In A Book. The Greeks Speak Of Generations That Will Sing; Mallarmé Speaks Of An Object, Of A Thing Among Things, A Book. But The Idea Is The Same; The Idea That We Are Made For Art, We Are Made For Memory, We Are Made For Poetry, Or Perhaps We Are Made For Oblivion. But Something Remains, And That Something Is History Or Poetry, Which Are Not Essentially Different.

Time Broadens The Scope Of Verses And I Know Of Some Which, Like Music, Are Everything For All Men.