What Are We Doing That For In

This Dapper Little Mouse That Wore Such Cute Clothes And Said Such Interesting Things, Yeah. I Thought It Was A Great Idea To Have A Mouse Like That In Your Family, So Now I Get To See What It Was Like.

I Just Passed On Some A Script That I Was Sent, Because I Said, "i Haven't Yet Played The Person Staying Home, The One That Says, 'good Luck, Honey,' Or Whatever." And So That's What I Look For. Therefore, By Virtue Of That Exclusion, I'm Always Trying To Find Roles That Are Challenging.

That's The Really Frustrating Thing, But Also The Fixable Thing. My Theory Why No One Notices Is That That's The [women's Roles] Ratio Thing They Grew Up With. It's Just Been That Way Forever, So They Don't See It.

An Eye-opening Moment In My Life, A Very Defining Moment, Was The First Time I Met Susan Sarandon [before Shooting Thelma & Louise]. We Were Going To Meet, Just Ridley [scott] And Susan And I, To Go Through The Script And See If We Had Any Thoughts Or Ideas. I Was Reading The Script, And In The Most Girly Way Possible, Meaning That If It Was A Line That Could Change Or Something Different I'd Like To See, I Would Think About Each One And Say, "well, This One Can Wait Till The Set Because I Don't Want To Bring Up Too Many Things."

The Thing I Noticed, Have Learned The Most About Directors, Is: When They're Very Confident In Themselves, They're Open To Creativity From Other People. If They're Scared Or Nervous, Then They Shut Off And Nobody's Ideas [count].