What Do You Do When You're No

The Vestibule Door Opens Onto A June Morning So Fine And Scrubbed Classira Pauses At The Threshold As She Would At The Edge Of A Pool, Watching The Turquoise Water Lapping At The Tiles, The Liquid Nets Of Sun Wavering In The Blue Depths. As If Standing At The Edge Of A Pool She Delays For A Moment The Plunge, The Quick Membrane Of Chill, The Plain Shock Of Immersion.

Philip Glass, Like [virginia] Woolf, Is More Interested In That Which Continues Than He Is In That Which Begins, Climaxes, And Ends... Glass And Woolf Have Both Broken Out Of The Traditional Realm Of The Story, Whether Literary Or Musical, In Favor Of Something More Meditative, Less Neatly Delineated, And More True To Life. For Me, Glass [finds] In Three Repeated Notes Something Of [a] Rapture Of Sameness.

How We Dress Is, As Far As I Can Tell, The Only Inescapably Public Choice That We Have. People Don't Need To Know What You Eat, People Don't Need To Know Who You Have Sex With. But There's No Escaping What You Wear And The Fact That You've Chosen It. Even If You Insist That You Don't Care About Fashion, That's Your Statement. It's Really One Realm Of Life Where You Are Forced To Make Your Own Statement.

There's Just This For Consolation: An Hour Here Or There When Our Lives Seem, Against All Odds And Expectations, To Burst Open And Give Us Everything We've Ever Imagined.

That Is What We Do. That Is What People Do. They Stay Alive For Each Other.