What I Wanted To Do Was To

If The Picture Needs Varnishing Later, I Allow A Restorer To Do That, If There's Any Restoring Necessary.

Everyone Goes To The 'grands-boulevards' (in Paris, Ed.) And Let Himself Loose... ...do Not Picture These In Costume, They Are Not For The Most Part... ...perhaps A Clown With A Big Nose, Or Two Girls With Bare Necks And Short Skirts... ...the Parade Of The Queens Of The Halls (markets) Is Also One Of The Events... ...some Are Pretty But Look Awkward In Their Silk Dresses And Crowns, Particularly As The Broad Sun Displays Their Defects - Perhaps A Neck Too Thin Or A Painted Face Which Shows Ghastley White In The Sunlight.

I Use A Retouching Varnish Which Is Made In France, Libert, And That's All The Varnish I Use.

The Idea (for The Painting 'room In New York', 1932, Ed.) Had Been In My Mind A Long Time Before I Painted It. It Was Suggested By Glimpses Of Lighted Interiors Seen As I Walked Along City Streets At Night, Probably Near The District Where I Live (washington Square, New York, Fh) Although It's No Particular Street Or House, But Is Really A Synthesis Of Many Impressions.

The Only Quality That Endures In Art Is A Personal Vision Of The World. Methods Are Transient: Personality Is Enduring.