When I First Was Offered The Role

I Wanted To Be A Painter, Really, When I Was Growing Up As A Kid. It Was One Thing That Really Took A Grip On Me.

The Wonderful Thing About 48 Fps Is The Integration Of Live Action And Cg Elements; That Is Something I Learned From 'the Hobbit.' We Are So Used To 24 Fps And The Romance Of Celluloid But At 48 Fps, You Cannot Deny The Existence Of These Cg Creations In The Same Time Frame And Space And Environment As The Live Action.

That's What I Think Is The Biggest Challenge, Is Just Being Still And Learning How To Just Be Present In That Stillness And Not Over Do It, Not Over Act.

I'm Quite Contrary. If People Agree On Something, I Tend To Gravitate The Other Way By My Nature. I Don't Like To Be Told What To Do. I Think It Goes Back To School. I Like To Do Things I Want To Do And I Really Don't Like Doing What I Don't Want To Do.

In A Personal Way, To Do With Family And The Father-son Relationship, In A Kind Of Artistic Way With Regard To Him Being An Art Student. I Also Studied The Visual Arts At Lancaster University. I Then Decided To Become An Actor As He Was Becoming A Musician. And Then As An Actor/performer, We Have Similar Sort Of Interests - Music Hall And That Whole World. So, There's A Lot That I Felt Connected With.