When I Go To The Movies, I

The Funny Thing Is, Strangers Still Seem To Feel Comfortable Coming Up To Me And Saying Things, But Now Usually It’s Because They Recognize Me, And They Say Nice Things.

People Call You "director," But It Really Should Be "economic Manager." Because Everything Is "well, We Can Do Another Take Here, But Then You're Gonna Lose That Shot Over There." Or "the Sun's Going Down, Sorry, You're Outta Luck. We Can't Afford To." You Know? And Meanwhile, How Do You Get The Performer's Performance? I'm Thinking The Whole Time All About "how Can I Get My Day Done?" And My Performances Are Primarily A Result Of Casting The Right People At The Right Time In The Right Parts. And Then I Do Little Modifications.

It Is True That The Movie Is Perhaps My Most Politically-charged. The Story Is Thrust Into Motion By The Idea Of What Do You Do When Your 13 Year Old Daughter Comes Home Pregnant. And Not Only Is She Pregnant, But She Wants To Keep The Baby.

I Love Working With Actors. If You Cast The Right Person In The Right Part At The Right Time, They Make You Look Like A Better Writer And Director Than You Really Are.

Storytelling Is The Only Studio Movie Where The Censorship Is Perfectly Clear, The Only Studio Movie With A Big Red Box Covering Up A Shot. I Take Pride In That - And, Of Course, In Having Avoided The Fate Of Eyes Wide Shut.