You Can Change Things, You Can Make

Taylor Sheridan I Think Wrote A Very Good Script. It Reeked Of Authenticity. He Seemed Like A Guy Who Knew What He Was Talking About And It Turned Out That Taylor's Uncle Is A Marshal, So He Knew Things From That Side.

Nowadays, In The Contract That Actors Sign, You Have To Agree That You're Going To Do A Certain Amount Of Publicity-the Hard Part They Don't Pay You For.

Making A Film, It Uses A Certain... 'pretend-muscle,' I Don't Know What You Want To Call It. It Exhausts Something In Me, I Find. It Has To Be Really Something To Get Me Interested.

I Did [michael Cimino] First Movie, "thunderbolt And Lightfoot," And I Remember I Was Still In My Twenties And Very Nervous, We're Shooting Up In Montana, And I'm Thinking, "what The Hell Am I Doing Here? I Don't Feel Anything Like This Part.

I Love Seeing Somebody Act Real Earnest And Serious, Like Jackie Gleason. He Makes Me Laugh Because He Reflects Back To Me My Own Serious-mindedness And How Ridiculous It All Is. It's Always Easier To See Somebody Else In That Position Than Yourself, And You Laugh. It's Like The Classic Slipping On The Banana Peel, Or Someone Getting Hit By A Pie In The Face. Why Do Those Things Make Us Laugh? Is It From Relief, Like: Thank God It Wasn't Me? Or Is It Something Else: I'm Being Very Serious Now. I'm Pontificating Earnestly And Solemnly About-pow! Pie In The Face! The Bust-up Of Certainty.