You Can Cut All The Flowers But

The Truth Is In The Prolouge. Death To The Romantic Fool., The Expert In Solitary Confinement.

Then I Speak To Her In A Language She Has Never Heard, I Speak To Her In Spanish, In The Tongue Of The Long, Crepuscular Verses Of Díaz Casanueva; In That Language In Which Joaquín Edwards Preaches Nationalism. My Discourse Is Profound; I Speak With Eloquence And Seduction; My Words, More Than From Me, Issue From The Warm Nights, From The Many Solitary Nights On The Red Sea, And When The Tiny Dancer Puts Her Arm Around My Neck, I Understand That She Understands. Magnificent Language!

Loving Is A Journey With Water And With Stars, With Smothered Air And Abrupt Storms Of Flour: Loving Is A Clash Of Lightning-bolts And Two Bodies Defeated By A Single Drop Of Honey.

Your House Sounds Like A Train At Midday, The Wasps Buzz, The Saucepans Sing, The Waterfall Enumerates The Deeds Of The Dew . . .

I Stalk Certain Words... I Catch Them In Mid-flight, As They Buzz Past, I Trap Them, Clean Them, Peel Them, I Set Myself In Front Of The Dish, They Have A Crystalline Texture To Me, Vibrant, Ivory, Vegetable, Oily, Like Fruit, Like Algae, Like Agates, Like Olives... I Stir Them, I Shake Them, I Drink Them, I Gulp Them Down, I Mash Them, I Garnish Them... I Leave Them In My Poem Like Stalactites, Like Slivers Of Polished Wood, Like Coals, Like Pickings From A Shipwreck, Gifts From The Waves... Everything Exists In The Word.