You Either Die A Hero Or Live

Filmmaking Is A Difficult Process. There Are The Logistics Of Making A Film. You Have To Do Your Part, And Then Change The Entire Thing Around To Do Someone Else's Part. A Lot Of The Magic Is Lost, In Between That, And You Have To Figure Out How To Get It Back.

If It Helps Me In The Way That If This Movie Is Successful, I Get To Make More Films, Great, And The More Films That I Make And The More Interest That I'm Allowed To Cover, The Better For Me And The Better, Hopefully, For The People Who Like To Watch Me.

If You Go To Youtube And Look Up 'grief' You Can Find Them And It's Just An Unbelievable Tool For An Actor To Be Able To Access, Without Being Unethical. It's Like Accessing The Deepest, Most Painful Parts Of A Person.

I Have Done Scenes As Harvey Two-face. It's Interesting. I Won't Tell You Exactly What We're Going For, But I Think That I Can Say That It Will Use All Of Today's Technology To Create This Character. He's Going To Be Interesting, And I Think That's What Makes This Character Important In The Movie-you Get To See Him As He Was Before, As In The Comic Books. Harvey Is A Very Good Guy In The Comic Books. He's Judicious. He Cares. He's Passionate About What He Loves And Then He Turns Into This Character. So You Will See That In This Film.

It Makes Me Feel Good That I Can Now Sit There And Go, I've Worked With Jack Nicholson, Al Pacino, All The Great Actors That I've Worked With... Sir Ben Kingsley.