You Have To Learn Certain Skills To

Pippin Had An Opening Number Called "magic To Do," And Jules Fisher, The Brilliant Lighting Designer Lit It. Tony Walton Did All Of The Sets. As A Kid I Thought, "wow, I'm Seeing Onstage What A Mgm Musical Would Look Like Live." It Was That Good, And It Was Directed By Bob Fosse.

Magic Was A Thing That, When I Did It, It Made All The Kids Go, "ah, That's Cool."

To Make Magic Credible On Screen Is Always Very Difficult. The Story Is The Most Important Thing. That Is What Should Win. If Sacrifices Or Compromises Are Made, It's Usually For Story. Story In Magic Is Very, Very Important To Me. That's What I've Really Championed Through My Career.

It Wasn't Just About Doing Tricks. It's About Taking An Audience To Another Place, A Special Place, So They Can Really Suspend Their Disbelief. Its About Amazing The Audience As Well As Moving Them.

In Movies, Storytelling And Every Single Art Form, We're Creating Wonder. You're Starting With A Blank Page And Creating Something That Doesn't Exist.