You Know That The Best You Can

The Line Between The Reality That Is Photographed Because It Seems Beautiful To Us And The Reality That Seems Beautiful Because It Has Been Photographed Is Very Narrow.

Arriving At Each New City, The Traveler Finds Again A Past Of His That He Did Not Know He Had: The Foreignness Of What You No Longer Are Or No Longer Possess Lies In Wait For You In Foreign, Unpossessed Places.

The Inferno Of The Living Is Not Something That Will Be; If There Is One, It Is What Is Already Here, The Inferno Where We Live Every Day, That We Form By Being Together. There Are Two Ways To Escape Suffering It. The First Is Easy For Many: Accept The Inferno And Become Such A Part Of It That You Can No Longer See It. The Second Is Risky And Demands Constant Vigilance And Apprehension: Seek And Learn To Recognize Who And What, In The Midst Of Inferno, Are Not Inferno, Then Make Them Endure, Give Them Space.

Whenever Humanity Seems Condemned To Heaviness, I Think I Should Fly Like Perseus Into A Different Space. I Don't Mean Escaping Into Dreams Or Into The Irrational. I Mean That I Have To Change My Approach, Look At The World From A Different Perspective, With A Different Logic And With Fresh Methods Of Cognition And Verification.

The City Of Cats And The City Of Men Exist One Inside The Other, But They Are Not The Same City.