You Know What? Joy Is The Only

I've Always Believed That You Shouldn't Want To Mend A Broken Heart, Because That's Someone You Don't Want To Forget. Scars Can Be Good.

I Also Wanted To Have Fun With It. I Wanted To Have The Scope, Which I Felt Merlin Has, In His Machiavellian Bi-polar Way. He's Not To Be Trusted, Yet He Is Fighting For This Great Power And Is Really A Master, To Some Degree, In Orchestrating Camelot And King Arthur. He's A Strange, Dark Devious Character, And I Just Wanted To Have Fun, And Get Away From The Cloak And Long Beard And Pointy Hat.

'how Do You Balance The Creative With The Biblical?' One Could Pick Up The Scripture And Read It To Oneself And You Would Be Communing Directly With That Information. As Soon As You Go Into Film, As Soon As There's A Camera, And There's An Angle, And There's Lighting, And There's Editing, You're Into The Adaptation.

I Like The Fact That We're Stripping The Icons Away. They're The Wikileaks For The Age That We're Revealing, With The Transparency Of The Characters. We're Unearthing The Truth Beyond Or Underneath The Myth. I Love That Aspect.

I Think Academics Are Infuriating. For Every Expert On Shakespeare There Is Another One To Cancel His Theory Out. It Drives You Up The Wall. I Think The Greatest Form Of Finding Out The Truth Is Through Fantasy.