You're Never Going To Kill Storytelling, Because

Well. Then We Had The Irises, Rising Beautiful And Cool On Their Tall Stalks, Like Blown Glass, Like Pastel Water Momentarily Frozen In A Splash, Light Blue, Light Mauve, And The Darker Ones, Velvet And Purple, Black Cat's Ears In The Sun, Indigo Shadow, And The Bleeding Hearts, So Female In Shape It Was A Surprise They'd Not Long Since Been Rooted Out. There Is Something Subversive About This Garden Of Serena's, A Sense Of Buried Things Bursting Upwards, Wordlessly, Into The Light, As If To Point, To Say: Whatever Is Silenced Will Clamor To Be Heard, Though Silently.

Every Ending Is Arbitrary, Because The End Is Where You Write The End. A Period, A Dot Of Punctuation, A Point Of Stasis. A Pinprick In The Paper: You Could Put Your Eye To It And See Through, To The Other Side, To The Beginning Of Something Else. Or, As Tony Says To Her Students, Time Is Not A Solid, Like Wood, But A Fluid, Like Water Or The Wind. It Doesn't Come Neatly Cut Into Even-sized Length, Into Decades And Centuries. Nevertheless, For Our Purposes We Have To Pretend It Does. The End Of Any History Is A Lie In Which We All Agree To Conspire.

I Think The Book You Always Like Best Is The One You're About To Write.

Does Feminist Mean Large Unpleasant Person Who'll Shout At You Or Someone Who Believes Women Are Human Beings. To Me It's The Latter, So I Sign Up

The Objects I Chose Were Designed To Hold Something, But I Didn't Fill Them Up. They Remained Empty. They Were Little Symbolic Shrines To Thirst.