A Person Is A Process, One That

The Usual Bad Poem In Somebody's Collected Works Is A Learned, Mannered, Valued Habit, A Habit A Little More Careful Than, And Little Emptier Than, Brushing One's Teeth.

I Think Miss Moore Was Right To Cut "the Steeple-jack" - The Poem Seems Plainer And Clearer In Its Shortened State But She Has Cut Too Much... The Reader May Feel Like Saying, "let Her Do As She Pleases With The Poem; It's Hers, Isn't It?" No; It's Much Too Good A Poem For That, It Long Ago Became Everybody's, And We Can Protest Just As We Could If Donatello Cut Off David's Left Leg.

Some Of Mr. Gregory's Poems Have Merely Appeared In The New Yorker ; Others Are New Yorker Poems: The Inclusive Topicality, The Informed And Casual Smartness, The Flat Fashionable Irony, Meaningless Because It Proceeds From A Frame Of Reference Whose Amorphous Superiority Is The Most Definite Thing About It They Are The Trademark Not Simply Of A Magazine But Of A Class.

Originality" Is Everyone's Aim, And Novel Techniques Are As Much Prized As New Scientific Discoveries. [t.s.] Eliot States It With Surprising Naïveté: "it Is Exactly As Wasteful For A Poet To Do What Has Been Done Already As For A Biologist To Rediscover Mendel's Discoveries.

If You've Been Put In Your Place Long Enough You Begin To Act Like The Place.