Don't I Ever Do Anything Else But

The Middle Class Is Doing Fine In Fiction. But It's Not What Gets Me Going. I Love The Working Class, And Everyone From It I've Met, And Think They're Incredibly Witty, Inventive - There's A Lot Of Poetry There.

The Argument, Now, Is About Whether Bolshevik Russia Was 'better' Than Nazi Germany. In The Days When The New Left Dawned, The Argument Was About Whether Bolshevik Russia Was Better Than America.

Time, The Human Dimension, Which Makes Us Everything We Are.

Much Modern Prose Is Praised For Its Terseness, Its Scrupulous Avoidance Of Curlicue, Etcetera. But I Don't Feel The Deeper Rhythm There. I Don't Think These Writers Are Being Terse Out Of Choice. I Think They Are Being Terse Because It's The Only Way They Can Write.

For Both Of Us, I Think, It Had To Do With Our Weakened Power To Love. It Is Strange That Enslavement Should Have That Effect – Not Just The Fantastic Degradation, Not Just The Fear And The Boredom And All The Rest, But Also The Layered Injustice, The Silent Injustice. So All Right. We’re Back Where We Started. To You, Nothing – From You, Everything. They Took It From Me, It Seems, For No Reason, Other Than That I Value It So Much.