Every Time You Go In, It's Like

There Are Certain Records From The 80s And Early 90s That You Love Because The Songs Are Great, But You Don't Go To Them As An Example Of Great Production. Over The Last 20 Years, Myself And A Lot Of Other Musicians My Age Have Tried To Discover Things In 50s, 60s, And 70s Recording Techniques That Were Lost Or Discarded. We've All Been Trying To Crack This Code. It's Been An Important Period In The Last 15 Years, Reclaiming Some Of Those Lost Approaches To Making Records.

I Never Had Any Expectations Of Winning A Grammy. It Wasn't Something I Was Set On, That I Was Hoping And Praying And Starving For.

I've Done So Many Albums Where I've Been In The Studio For 14 Hours A Day For Six Months Just Trying To Come Up With Things On My Own. It's A Nice Change Helping Other People With Their Music And Not Being All About What I'm Trying To Do Myself.

Set Your Guitars And Banjos On Fire And Before You Write A Song Smoke A Pack Of Whiskey And It'll All Take Care Of Itself.

Back Then, Pro Tools Only Had Four Or Eight Tracks, So We Couldn't Actually Hear All The Tracks. We Could Only Hear Eight At A Time, So If A Song Had 25 Or 30 Tracks, We Wouldn't Be Able To Hear It Until We Went Into The Studio An Put It All On Tape. The Process Was A Little Bit Backwards.