I Actually Build My Dreams Around The

It's The Emotional Trigger Points That Are Important To Me Because I Know If I Could Believe In The Characters And Try And Imagine How They Felt Then I'd Be Able To Do Something Quite Honest.

For Me It Was Really Important To Get The Essence Out Of The Music For The Story And Not, Sort Of, Press The Music Into The Service Of The Whimsical Telling Of It.

I Look At The Dancers And I Get The Inspiration For The Work From Them.

I Always Figure I Have This Tree And There's Always Some Green Fruit That's Not Ready To Pick Or Blossoms That Are Ready To Flower; There Are Always Some Ready To Drop Off Too.

And Currently, There Are Four To Five New Works In The Pipeline For Upcoming Celebrations Such As The Sydney 2000 Olympics, Australian Federation, My 50th Birthday, And Sydney Dance Company's 25th Anniversary.