I Always Wanted 'sideways' To Be Like

Cinema Really Lends Itself Well To Big, Archetypal Stories, You Know, Classic Old Stories And You Need Kind Of A Weird, Big Terrain Like The Japanese Plains For Samurai Movies Or The West. You Need That For These Giants To Walk Around.

I Like Voice-over In Films, And Most Of My Films Have Been Voice-over Films.

I'd Love To Be A Director-for-hire And Get A Nice Paycheck And Captain One Of Those Big Ships, But I Think Studios Mistakenly Think I Want To Write What I Direct - Which I Don't. I Write Out Of Desperation, Because I Never Get A Script I Like, Other Than "nebraska." It's A Matter Of: What's The Screenplay? Is It Intelligent? Is It Human? I Don't Care What Genre, What Scale. I'm Here For The Movies.

I Always Wanted 'sideways' To Be Like A Great 1960s Italian Film.

I Could Never Be A Part Of An Adaptation Of A Film Where There's Pressure To Not Disappoint The Immense Fan Base. In Those Cases, They Often Wind Up With Filmed Books On Tape, Quite Uncinematic. Having Said That, I'd Say All The Adaptations I've Done Are Quite Faithful To The Original... You Have To Pick And Choose Which Storylines And Plot Threads, Because You Don't Have The Time To Kill In The Film As They Have In Novels. All Those Pages With Detours And Plots And Different Storylines. But Films Add A Lot, And You Gotta Keep It Moving.