I Think Cynicism Lasts. Sentimentality Ages, Dates

I Think A Badly Crafted, Great Idea For A New Film With A Ton Of Spelling Mistakes Is Just 100 Times Better Than A Well-crafted Stale Script.

Cinema Really Lends Itself Well To Big, Archetypal Stories, You Know, Classic Old Stories And You Need Kind Of A Weird, Big Terrain Like The Japanese Plains For Samurai Movies Or The West. You Need That For These Giants To Walk Around.

I Read Reviews Of Critics I Respect And Feel I Can Learn Something From. Right Now There Are A Lot Of Bottom-feeder Critics Who Just Have Access To A Computer And Don't Necessarily Have An Academic Or Cinema Background That I Can Detect, So I Tend To Ignore That And Stay With The Same Top-tier Critics That I've Come To Respect. I Like Reading A Good Review - It Doesn't Have To Be Favorable, But A Well-thought-out One - Because I Very Much Appreciate The Relationship Of Directors And Critics.

I Don't Think So Much About Verbal Comedy. I Always Think About Visual Comedy. I Was Raised Watching Silents, And I'm Always Thinking About How To Make Cinema, Not Good Talking - Although I Want Good Talking. I'm Much More Interested In Framing, Composition, And Orchestration Of Bodies In Space, And So Forth. My Goal Is Always What Chuck Jones Wanted His Warner Brothers Cartoons To Be, Which Was If You Turn Down The Sound, You Could Still Tell What's Going On. I Think If You Watch Most Of My Films With The Sound Off, You Could Still Tell What's Going On.

The Worst Thing For People To Say About Your Movies Is, "yeah, It Was Pretty Good, But It Was Too Damn Long.".